On Making Art
I set myself up for this one. Plan a trip, tell everyone your mission is to make art, pack way too many notebooks and supplies, and then try to actually produce something. This has happened before. When I went to Paris in 2003, friends and family commissioned me to make postcards for them. (Okay, I did it as a fund raiser – I told my peeps that if they contributed to my trip, I would send them a hand painted postcard.)
Every time I went to make a postcard – seventeen of them – that crappy voice crept in. “What’s this? That stinks! You’re no good. Just stop now. Who are you to draw Notre Dame?” Postcard after postcard taught me to keep going, to persist despite that first negative vibe. And people love the postcards. And so do I.
Now, performance anxiety is creeping up like bad panties. What if my art stinks? I’m dismayed that I have to go through the same process over and over – hearing the voices, telling them to mind their own business, arting on.
The other day, in Café A Brasiliera, I shared my table with two consecutive groups. The first, a pair of Englishwomen here for an Erasmus conference. Then, a group of women from Belgium. (I wonder if they know Martine!) I was at the café to fortify myself with coffee and pastel de natal, the Portuguese custard pastry. I also planned to work in my sketchbook.
I’d been inspired by Danny Gregory and the notion of an illustrated journal. I’ve read Gwen Diehn’s books and love the multi-textured illustrated journal. And I’ve got my Moleskine notebook and I’m ready to go.
And I’m scared.
Familiar? How many of you have the inspiration, the notebook, the materials and the surrounding inspiration to create, only to be beleaguered by those voices?
I know. All of you. That’s why I have a job – to nudge people past those voices. And I love doing it. And I write about it. And I should know better, right?
Sigh.
So at that cool Art Nouveau café, I open my notebook, get out my fancy beautiful pen and miniature colored pencils and I just start. Whatever impulse I get, I put on the page. When I run out of steam, I stop and look around. I put things on the page and the women from Belgium watch. I like that but don’t pay much attention. I just keep playing in my notebook. The voices are still there, but I just keep going.
Here's the beginning of my Lisbon page. (If anyone knows how to get the photo to not be wonked out like this, let me know. I rotated it in iPhoto but then here it is on its side. A perfect reminder to not worry about perfection.)
You may be reading this and thinking about your own art that you are working on (or avoiding) right now. If that’s you, finish reading and then go to your writing, your drawing, your painting, your whatever, and just do one thing. One sentence, one stroke, one dab of color. Remember yourself as a kid and let yourself play. Don’t worry about ‘good enough’. Just play. That’s what I’ll be doing – playing with materials as I wend my way through Europe.
Here I go, one dab of color at a time.
















